A brilliant and rare pasticcio comprising Handel's arias and cantatas and a team experienced in this repertoire led by Franco Fagioli

Jean-Christophe Spinosi continues his exploration of the lyrical repertoire of the Red Priest with this Venetian Olimpiade.

Mozart's most popular sacred work and his famous aria Agnus Dei - where the spiritual takes on a sensual quality.

A drama of impossible love with an exacerbated romanticism, Massenet's opera captivates with its title role, here played by the amazing Sir Simon Keenlyside.

An immense choral fresco entirely dedicated to the cycles of nature under the expert baton of Emmanuelle Haïm.

Jean-Christophe Spinosi welcomes young singers and breakdancers for an original journey, combining tradition and modernity.

Tamerlano, one of the most beautiful and poignant examples of vocal acrobatics in the baroque repertoire.

Bellini's ultimate masterpiece owes its notoriety to his leading roles among the most demanding in the belcantist repertoire.

"Bühnenweihfestspiel" ("festival play for the consecration of the stage"), Wagner’s last opera is a powerful epopee, and a final masterpiece.

The first of the great pieces Bach composed when he moved to Leipzig and one of the highlights of his choral catalogue.

Dumont and Charpentier where the art of the Grand Motet “à la française” in its most perfect completeness.

Henry Desmarest's little-known Didon is reborn thanks to the Centre de Musique Baroque de Versailles and Véronique Gens singing the title role.

Love and hate, war and peace. Pure musical theatre magnified by the elegance of Magdalena Kožená.

Undoubtedly the most well-known lament of sorrow in the baroque repertoire.

During a ball, Verdi removes the masks of passion and duty.

A masterful score as much for its sacred character as for its orchestral and choral power.

A sumptuous and realistic instruction manual in the art of love steeped in all Mozartian sensuality.

Matthäus-Passion, or the pinnacle of Bach's choral art directed and sung by Mark Padmore.