Continue without accepting

We respect your privacy

With your consent, we use cookies or similar technologies to store and access personal information such as your visit to this website. You can withdraw your consent or object to processin based on legitimate interest at any time by cliking on "Find out more" or in your privacy policy on this website.

Welcome to the Théâtre des Champs-Elysées website

The Théâtre des Champs-Elysées and its partners set cookies and use non-sensitive information from your device to improve our products and display personalized advertising and content. You can accept or refuse these different operations. To find out more about cookies, the data we use, the processing operations we carry out and the partners with whom we work, you can consult our cookies dedicated page.

    Calendar

    Orchestre de chambre de Paris

    Antoine Tamestit  viola and direction 

    CANCELED CONCERT

    Antoine Tamestit
    Antoine Tamestit © Julien Mignot

    Bach Choral Vor Deinen Thron tret ich hiermit BWV 327
    Hindemith Trauermusik, suite for viola and string orchestra 
    Dowland Flow, my tears - f My Complaints Could Passions Move (arrangement for viola and orchestra, creation)
    Britten Lachrymae op. 48, reflections on a song of John Dowland
    Brahms Quintet No. 2 Op. 111 (arrangement for string orchestra)

    Since winning his first international prizes some fifteen years ago, Antoine Tamestit has mastered the greatest repertoire on offer to a viola player, from Harold in Italy to Bartók’s concerto, while also enjoying the experience of teaching, and performing chamber music as part of the Zimmerman Trio. In recent years, he has taken up the conductor’s baton. Taking us from Bach to Britten, via Brahms and Hindemith, with a new arrangement of a lament by Dowland (1597), he has developed a programme for viola and string orchestra which celebrates the sweetness of melancholy. Celebrating rather than fleeing melancholy might seem an unusual approach, but this delicate programme proves that sometimes there is nothing more soothing than to have our troubles shared and our sadness understood, and to let our tears flow.

    Production Orchestre de chambre de Paris