Continue without accepting

We respect your privacy

With your consent, we use cookies or similar technologies to store and access personal information such as your visit to this website. You can withdraw your consent or object to processin based on legitimate interest at any time by cliking on "Find out more" or in your privacy policy on this website.

Welcome to the Théâtre des Champs-Elysées website

The Théâtre des Champs-Elysées and its partners set cookies and use non-sensitive information from your device to improve our products and display personalized advertising and content. You can accept or refuse these different operations. To find out more about cookies, the data we use, the processing operations we carry out and the partners with whom we work, you can consult our cookies dedicated page.

    Calendar

    Avi Avital | mandolin 
    Ohad Ben-Ari | piano 

    All the nuances of the mandolin and the exquisite skill of Avi Avital.

    Avi Avital
    Avi Avital © Jean-Baptiste Millot
    Ohad Ben-Ari
    Ohad Ben-Ari © Hyung Kim

    Mozart Sonata No. 21 for mandolin and piano K. 304 (transcription of the original version for violin and piano)
    De Falla Seven Spanish Folksongs
    Bach Partita No.2 for mandolin solo BWV 1004
    Lavry Three Jewish Dances

     Young audience workshops Raconte-moi une histoire

    Who would have thought that Mozart's Violin Sonata No. 21 would one day be played on the mandolin? Certainly not Amadeus himself, overwhelmed by the death of his mother when he composed it in Paris in 1778. However, as the superstar of an instrument that he has been promoting in the classical sphere for more than ten years, Avi Avital is not shying away from anything. Especially not J.S. Bach. The very idea of a transposition of the Partita BWV. 1004 would make people smile if the Israeli had not shown the record the subtlety and musical intelligence he is capable of in this work, particularly famous for its final chaconne. A blend of popular tradition and scholarly music, Falla and Lavry will add a touch of folklore(s) to this programme with sounds far from mainstream music.

    COREALISATION Jeanine Roze Production / Théâtre des Champs-Elysées