Continue without accepting

We respect your privacy

With your consent, we use cookies or similar technologies to store and access personal information such as your visit to this website. You can withdraw your consent or object to processin based on legitimate interest at any time by cliking on "Find out more" or in your privacy policy on this website.

Welcome to the Théâtre des Champs-Elysées website

The Théâtre des Champs-Elysées and its partners set cookies and use non-sensitive information from your device to improve our products and display personalized advertising and content. You can accept or refuse these different operations. To find out more about cookies, the data we use, the processing operations we carry out and the partners with whom we work, you can consult our cookies dedicated page.

    Calendar

    Sergei Dogadin | violin
    Evgeny Sinaiski | piano 

    Sergey Dogadin plunges us into the depths of the Russian soul with Tchaikovsky, Prokofiev and Stravinsky.

    Sergei Dogadin
    Sergei Dogadin © Anastasia Steiner
    Evgeny Sinaiski
    Evgeny Sinaiski - DR

    Prokofiev Sonata for violin and piano No. 1 Op. 80
    Tchaikovsky Souvenir d’un lieu cher, for violin and piano Op. 42 « Méditation »
    Valse-Scherzo for violin and piano Op. 34
    Stravinsky Divertimento, suite excerpt from Baiser de la Fée (transcription for violin and piano by S. Dushkin) 

    Set course east! It is a 100% Russian programme – but so varied – that Sergei Dogadin, accompanied by Evgeny Sinaiski, has concocted for us. Prokofiev's Sonata No. 1 provides a sombre introduction, marked by the fear and despair caused by the Stalinist "Great Purge". Tchaikovsky's romanticism will then give the performers the opportunity to let their Slavic soul sing (and waltz). Tchaikovsky, whom Ida Rubinstein wanted to inspire the ballet commissioned from Stravinsky on a theme that was left free. Adapted from Andersen, The Fairy's Kiss thus borrows from the Swan Lake author's early works. The resulting Divertimento in 1934 also became a choice piece for violinists thanks to friend Samuel Dushkin, who got his hands on the transcription.

    COREALISATION Jeanine Roze Production / Théâtre des Champs-Elysées