Continue without accepting

We respect your privacy

With your consent, we use cookies or similar technologies to store and access personal information such as your visit to this website. You can withdraw your consent or object to processin based on legitimate interest at any time by cliking on "Find out more" or in your privacy policy on this website.

Welcome to the Théâtre des Champs-Elysées website

The Théâtre des Champs-Elysées and its partners set cookies and use non-sensitive information from your device to improve our products and display personalized advertising and content. You can accept or refuse these different operations. To find out more about cookies, the data we use, the processing operations we carry out and the partners with whom we work, you can consult our cookies dedicated page.



    Giuseppe Verdi

    Daniele Gatti rejoins the 'National' for Verdi's Requiem, in which the composer has summoned all the expressive forms of the operatic art.

    Daniele Gatti
    Daniele Gatti © Pablo Faccinetto

    Eleonora Buratto | soprano
    Marie-Nicole Lemieux | contralto
    Michael Spyres | tenor
    Riccardo Zanellato | bass

    Daniele Gatti | direction
    Orchestre National de France
    Chœur de Radio France | direction Alessandro Di Stefano
    Chœur de l'Armée française | direction Aurore Tilla

    Verdi's Requiem is in a class of its own within the lyric repertoire. Audiences and musicians have often had contradictory opinions about it. Be that as it may, it was an immediate success for some years after its first performance in 1874. It then fell somewhat into neglect up until the 1930s, but has since emerged as one of the favourite bravura pieces for the most renowned groups, conductors and soloists. The rich subtleties, spirituality, inner turmoil and musical passion bound up in this work make it an unforgettable concert experience.

    COPRODUCTION Théâtre des Champs-Elysées / Radio France
    Concert broadcast live on February 5 on France Musique

    Que savez-vous du Requiem ?

    Saviez-vous qu’il existe plus de 1600 Requiem ? Quels sont les plus célèbres dans l’histoire de la musique ? En écrit-on encore ?

    You may also like

    Stabat Mater

    Antonin Dvořák

    This beautiful sacred work ranks with the masterpieces of the genre by Pergolesi, Fauré and Poulenc. All the intimacy of the musician is displayed here with intensity and emotion.

    Un Rigoletto

    from Verdi - Participatory opera

    All the darkness and tenderness of Verdi's opera in a version adapted for young audiences, where they will once again be invited to join in the singing.

    Michael Spyres

    Mozart, Spontini, Rossini, Donizetti...

    A rare display of double tessitura in this 'baritenore' recital by Michael Spyres.