Le Nozze di Figaro
Wolfgang Amadeus Mozart
The first opus of the Mozart-Da Ponte trilogy has all the ingredients of an operatic gem and remains as topical as ever.
Dates
Florian Boesch | Count Almaviva
Anett Fritsch | Countess Almaviva
Robert Gleadow | Figaro
Nikola Hillebrand | Susanna
Anna Lucia Richter | Cherubino
Anna-Doris Capitelli | Marcellina
Shinyoung Kim | Barbarina
Joshua Spink | Don Basilio / Don Curzio
Riccardo Novaro | Bartolo / Antonio
Giovanni Antonini | direction
Kammerorchester Basel Basler Madrigalisten
About
It is impossible to ever tire of performing or hearing Le Nozze di Figaro, as each page oozes the genius of Mozart and Da Ponte. It features five characters torn between desire and duty, although Suzanne appears to be less troubled by the dilemma experienced by Figaro as the Count and the Countess as Chérubin. The whole work is developed around this depiction of love and social conventions, and perhaps here in particular, the virtuosity of Mozart’s vocal score for recitative, arias, and ensembles alike. Mozart is unique yet universal, and this is a masterclass in recitare, an Italian word which means “acting”.
Production Théâtre des Champs-Elysées
